Interactive demo
Click through Verbatim.
A real podcast, loaded in Premiere. Search the transcript, open Build Narrative, drag or drop beats in the proposed cut, approve it, and watch the timeline fill. Then select, reorder and delete cards — the timeline follows.
The first conversation is a recorded example. AI search and the editor chat are live — the real editor, limited to this cut and a few turns per visitor. Those limits are for this demo only; they aren't the plugin's.
Prefer to watch? The three-minute tour on YouTube ↗
What you're clicking
- The INPUT tab is the podcast's transcript, read inside Premiere. Type in FIND, click a line, and + Add to Timeline drops it on the sequence.
- OUTPUT → Build Narrative opens a finished conversation with the editor: the brief, the proposed cut and why, and a follow-up. Drag a beat, press × to drop one, and watch the runtime change before you approve.
- Approve & Build turns the cut into story cards and clips. Click a card and its clip lights up; drag a card and the timeline reorders; delete one and the rest close up.
Search the interview for what was said
Verbatim reads the transcript Premiere already made in the Text panel and shows it in its own INPUT tab, one tab per clip, with each speaker in their own colour. FIND matches the exact words as you type. Switch to AI search and describe the moment instead — "the part where he admits he nearly quit" — and the matching line plays in the Program monitor. The demo's podcast is real footage, and in the demo the AI search is live.
Pull selects straight from the transcript
Click a line to take all of it, or drag across the words you want for part of it. + Add to Timeline puts that quote on the output sequence as its own clip, cut at the word boundaries. This is the paper-edit workflow — sound bites chosen from the transcript — without leaving Premiere or retyping timecodes.
Describe the story, get the rough cut
Build Narrative is where a rough cut comes from a brief. Describe who you want to hear from, which beats to hit, and roughly how long it should run. The editor proposes a cut and explains each choice, and you talk it through: reorder or drop beats, keep part of a quote, ask for a different opening. The running length updates as you change it. Approve, and exactly that cut is built on the Premiere timeline.
Edit from cards; the timeline follows
Every clip on the output sequence is a story card. Select a card and its clip lights up on the timeline; drag it and the timeline reorders; delete it and the gap closes; right-click a word to split it. Verbatim's own undo covers every one of those edits, including a whole build. Your footage stays on your drive throughout — only the transcript text and your prompt go to the AI you chose.